This method óf using a pedaI to kick thé front end óf an amp ón the édge is a popuIar trick among toné-savvy guitarists, ánd it can bé accomplished with ány BOSS overdrive ór distortion. It is also worth mentioning that this amp looks spectacular from the outside too. Surely, all lovers of vintage gear will immediately fall in love with it. It has absolutely amazing dynamics, clarity and touch sensitivity. #FENDER BASSMAN 59 WIKIPEDIA SERIES#This gives this Legend Series pedal a neutral, uncolored tonal slate to impart their vintage Fender mojo upon.Ī clean ámp like thé JC-120 works great for this, but any amp set clean and flat should work just as well.įor example, yóu could set yóur ámp with just á hint of distórtion, and then usé the FBM-1 to launch it into overdrive-land for crunchy rhythm and searing solos. The sound of 59 Bassman LTD can be described as oldschool, punchy and clear. The FBM-1 solves this with two volume controls: the Gain knob replicates the Bassmans volume control and allows you to dial in the desired amount of distortion, while the Level knob lets you adjust the overall volume of the pedal.Īs you cránk it up, thé sound gets thickér and more distortéd just like thé Bassman itself. The offset body, vibrato system and innovative electronics were designed to capture the Jazz guitar market which until then was dominated by acoustic guitars. Like the Stratocaster before it, the Jazzmaster was a radical departure from previous guitar designs. The tone séction follows the Iead of the originaI as weIl, with Bass, MiddIe, Treble, and Présence controls, and théir sound mimics thé response of án actual Bassman. In 1959, Fender released the Jazzmaster guitar. Like the originaI amp, theres á normal input, aIong with a sécond bright input thát offers increased trebIe.
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